Paul Hawkins aka
Bob Modem

Place Waste Dissent & Diisonance

Paul Hawkins & Steve Ryan

second expanded edition
(inc. DIISONANCE artworks - collaborative responses to PWD by Steve Ryan & Paul)

Hesterglock Press 2020
15 x 23 cm 190 b&w pages
ISBN: 978-1916159426
paperback £10 buy
PDF £5.00 buy

First edition paperback (Influx Press 2015)

Further Reading:

Pretty Messy, Fairly Trashed – Paul Hawkins Interviewed by Tony White
The Quietus

Poet Paul Hawkins raises the ghosts of East London’s No M11 squat protests

Read more about how the book came about; artist Steve Ryan, Claremont Road, Dolly Watson, the DIISONANCE exhibitions, performances and book it spawned, works-in-progress, other articles on the No M11 Campaign and anti-roadbuilding protests in the UK at the archive website :
Place Waste Dissent & DIISONANCE

PLACE WASTE DISSENT is a book that takes the aesthetics of poetry as seriously as the occupation and protests that inspired its writing.

Praise for Place Waste Dissent:

'Fire sermons and authentic retrievals for a battleground on the edge of the liminal, delivered with spirit and spite and sting. True witness.'
- Iain Sinclair

Having spent three years in the early 1990s occupying properties and protesting in Claremont Road, east London, poet Paul Hawkins maps the run-off, rackets and resistance along the route of the proposed M11 Link Road.

Using the voices of Dolly Watson, Old Mick and many others in avant-garde experimental text and lo-fi collage, he explores place, waste and dissent; the stake the Thatcher/Major Tory government was driving into the heart of the UK.

From Claremont Road to Cameron via surveillance culture and Occupy: transient-beta memory traces re-surfacing along the A12. This collection is an important reflection on a historic site of resistance, offering us illumination, ideas and inspiration for the future.

'Picture Sesame Street as reimagined by Guy Debord and the set designers for Apocalypse Now.'
- Minor Literature(s)

'This book is a timely reminder that it only takes a few determined individuals to tear down the facade of order. Injustice breeds discontent. This powerful work documents how damaging that can be for all.'
- Never Imitate

'These human stories are a reminder that what was at stake was not just the erasure of some lines in the A-Z of London but an assault upon a living community.'
- International Times

'This is not so much a book as an archive, a dataset or a dossier of evidence. At times reminiscent of Tom Phillips' A Humument with its jump cut juxtapositions, liminal layers and luminous word wiring, Place Waste Dissent is nonetheless an utterly distinctive poetic document, weaving text and image to create a wakeful dream state of white noise, static and flux. Place Waste Dissent functions as a map of submerged structures, underlaid by an oblique but insistent narrative of displacement and loss, all the more potent for awaiting rather than demanding discovery. If you want to know what this book is like, try staying up for 48 hours straight then taking a dawn ride in an unlicensed minicab with a can of Red Bull and The Faust Tapes on repeat. Better still, just read it.'
Tom Jenks

'The lost world of London squatting and radical struggles is conjured up through experiments with words and storybook political consciousness. Paul Hawkins illuminates the past he experienced and allows us to smell touch and love the cultures in collision which he participated in as a foot soldier banging on a revolutionary drum. Now he is a Homer immortalising his war.'
- Joe Ambrose

'. . . provided me with passion, inspiration, information, an appreciation of community and the gentle reminder that life is a balance of good and bad. It is a truly beautiful book.'
- Book Smoke

'The photos alone would be fascinating – but it is the personal stories, told unvarnished, that give a real feel for the time.'
- Red Pepper

'Paul Hawkins occupies the page in this archive of voices of resistance, cut and pasted together with a homemade scrapbook aesthetic.'
- Hannah Silva

'The collage format of text and imagery works perfectly in conveying the complex dynamic of community struggle, external politics and inner personal insecurity. Its sense of "being in the thick of it", of being adrift and yet trying to get a handle on things, of being players in a drama that was both orchestrated and out of control is exactly what it felt like.  Parts of Place Waste Dissent brought me close to tears.'
Ian Bourn (film-maker, artist, occupier of No. 8)

Paul Hawkins reads 'Index' at the Sanctum, Bristol, November 2015. Filmed and edited by Andrew Neil Hayes.

‘Rather than presenting an idealised memoir of their shared experiences of Claremont Road, Hawkins and Ryan develop through their collaboration a visual language through which the we’re able to grasp the full spectrum of feelings ignited during the campaign. Absorbing and expressive with sudden bursts of clarity amid suffocating darkness, their artworks reflect and build upon the emotional complexity and intensity of Place Waste Dissent. Finding a balance between stillness and chaos, Hawkins and Ryan seem to capture in these pages the very essence of what Claremont Road was: a brutal battleground and a dysfunctional but loving family home.’
- Madelaine Culver, Babel Tower Noticeboard review

’an incredibly important book. It is a window on the past but also a mirror on the gentrified times of today. I really, really urge you to read this book.Also Place Waste Dissent is the fruition and continuation of a powerful project of examination of resistance and correspondence through experimental poetics which Paul Hawkins began in his other books, ‘Claremont Road‘, and ‘Contumacy‘. Paul is an incredible poet, the poet of England’s right here and right now.‘
- Miggy Angel

'Place Waste Dissent is a valuable, experimental, unique contribution to contemporary British poetry. It serves to illustrate that every life and experience is valuable, and to impel us to resist anything that encroaches.'
- Ambit

'I loved Hawkins’ book. The lo-fi, analogue, cut and paste of word and image is richly redolent of that early ’90s squat and crusty culture.'
- Tony White, Piece of Paper Press

' . . . the mix of poetry, photographs and a multitude of voices is impressive, moving and assertive, proving that creativity and aesthetics can live alongside political protest without appearing twee or being completely redundant.'
- Stride Magazine

' . . . this book, more than any I have read in a long time, is a collection. It truly works as a whole: poems bleed into one another, characters disappear and reappear later in the collection, images reflect and haunt other images. This book recreates and re-presents the culture and time which it is reflecting upon, and it is an ‘archive’ that delightfully overwhelms with sound and image. This book is important.'
The Contemporary Small Press

Eachwhat Studio, The Broadwalk Centre, Bristol BS4 2QU